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No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. The Cobra Movement in Postwar Europe Reanimating Artįirst published 2021 by Routledge 52 Vanderbilt Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2021 Taylor & Francis The right of Karen Kurczynski to be identifed as author of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

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Peek Art, Mobility, and Exchange in Early Modern Tuscany and Eurasia Edited by Francesco Freddolini and Marco Musillo The Cobra Movement in Postwar Europe Reanimating Art Karen Kurczynski Emilio Sanchez in New York and Latin America Victor Deupi Henri Bertin and the Representation of China in Eighteenth-Century France John Finlay Picturing Courtiers and Nobles from Castiglione to Van Dyck Self Representation by Early Modern Elites John Peacock For a full list of titles in this series, please visit -Research-in-Art-History/book-series/RRAH Vázquez The Australian Art Field Practices, Policies, Institutions Edited by Tony Bennett, Deborah Stevenson, Fred Myers, and Tamara Winikoff Lower Niger Bronzes Philip M. Academies and Schools of Art in Latin America Edited by Oscar E.

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By making these studies available to the worldwide academic community, the series aims to promote quality art history research. These high-level books focus on art and artists from around the world and from a multitude of time periods.

The series publishes research monographs and edited collections, covering areas including art history, theory, and visual culture. Routledge Research in Art History is our home for the latest scholarship in the feld of art history. © 2020 Karel Appel Foundation / Artists Rights Society (ARS), New York / c/o Pictoright Amsterdam. Cover image: Karel Appel, Mens en dieren (People and Animals), 1949. Karen Kurczynski is Associate Professor, History of Art and Architecture at the University of Massachusetts, Amherst.

This book will be of interest to scholars in art history, 20th-century modern art, avant-garde arts, and European history.

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It explores how Cobra’s experimental, often collective art works and publications relate to broader debates in Europe about the use of images to commemorate violent events, the possibility of free expression in an art world constrained by Cold War politics, the breakdown of primitivism in an era of colonial independence movements, and the importance of spontaneity in a society increasingly dominated by the mass media. This book investigates how a group of struggling young artists attempted to reinvent the international avant-garde after the devastation of the Second World War, to create artistic experiments capable of facing the challenges of postwar society.

Although the name stood for the organizers’ home cities, the Cobra artists hailed from countries in Europe, Africa, and the United States. This book examines the art of Cobra, a network of poets and artists from Copenhagen, Brussels, and Amsterdam (1948–1951). Wolvecamp, Rooskens, and Corneille: Expression and PrimitivismĮrnest and Sonja Ferlov Mancoba: Minoritarian Humanism Vandercam’s Photographs: Life Among the RuinsĪppel’s “Questioning Children”: Innocence AccusesĮlse Alfelt: Gender, Affect, and Expression The Imaginists and Surrealism at Mid-Century Belgian Surrealism and the Material ImaginationĬobra, Surrealism, and Informel: Flexible Ties

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